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The Naked Truth: An Irreverent Chronicle of Delirious EscapadesBy Jean-Pierre Dorleac
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Fascinating, highly candid and often uproarious, costume designer Jean-Pierre Dorléac s detailed Hollywood accounts strip back the façade from the years between 1973 and 1985, when classic glamour became a thing of the past. Through his award-winning works spanning theater, television, film, couture, burlesque and ballet, Jean-Pierre draws on firsthand, factual knowledge to paint an insider s picture of the entertainment industry.
Get a behind-the-scenes account of what it took to create the magic of Battlestar Galactica, Buck Rogers in the 25th Century, Somewhere in Time, The Blue Lagoon and other diverse projects that brought recognition, respect and acclaim to Dorléac through Oscar, Emmys and The Los Angeles Drama Critics Circle Awards while he secured his idiosyncratic place in history as the creator of the figure-hugging, wildly popular, spandex pants.
Guided by the treasured advice of his mentor, Edith Head, Dorléac was able to successfully retain his composure in exasperating situations and skillfully maintain his balance between obstreperous actors, demanding directors and powerful producers. This is an engaging chronicle of a crucial 12-year period when the dogged pursuit of higher profits radically changed the entertainment industry and replaced singular, custom-made designs with cut-rate, ready-to-wear on rolling racks.
- Sales Rank: #1421859 in Books
- Published on: 2015-05-04
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.50" w x 6.00" l, .0 pounds
- Binding: Hardcover
- 415 pages
Review
Anyone who knows movies well has heard of (if not seen) the movies Somewhere in Time, Blue Lagoon, or Battlestar Galactica. There's a common denominator in these seemingly-disparate films, and that's Jean-Pierre Dorléac, who chronicles his years in the film industry as a costume designer in his new autobiography The Naked Truth.
Because his story does not come from the usual producer, director or screenwriter's perspective, it succeeds in adding insights on the industry that are fresh and different; and because this story covers a dozen years in the industry (from 1973 to 1985), it succeeds in capturing the final years of a film era that saw its glamour fall to the lure of television. Also, because the author spent his early years as a childhood actor, he offers a unique blend of perspectives that are presented with a humorous tone but include very real insights into the film industry's transitions.
Chapters are packed with anecdotes both from the author's own background and from those who shared their own stories with him. They probe the world of professional costume designing and detail a time period rarely covered in Hollywood exposés, when corporations moved in like vultures to peck at the dying carcass of Hollywood's glamour days, selling off decades of props and costumes that should ideally have been preserved in museums.
Anticipate first-person encounters with the stars, funny mishaps and union confrontations, and brutally candid observations of the industry: "I think this business is like King of Hearts, where they opened the asylum doors and let the patients loose. No one in production knows much about anything, and all the behind-the-scenes people are merely pretending, just like actors. They have no inkling regarding good taste, flair or panache, or the ability to create.
The Naked Truth is hobnobbing with the stars, autobiography, and Hollywood history and politics in one book, and will delight any who want a personal, lively exposé of the industry's heyday. The chatty tone sets the stage for a rollicking good leisure read; so if it's serious analytical history that's sought, look elsewhere. Just because it's 'the naked truth' doesn't mean that Jean-Pierre Dorléac has gone light on its entertainment value: lively storytelling devices the norm, here: not the exception. --MIDWEST BOOK REVIEW: Diane Donovan
The Naked Truth: An Irreverent Chronicle of Delirious Escapades covering the end of classic glamour.
Jean-Pierre Dorléac offers us a front row seat in The Naked Truth that details the facts of costume design on all entertainment levels. In it, he describes an extensive career (1973-1985) during which he became an acclaimed theater, film, television and couture designer. He was Oscar nominated for Somewhere in Time and 11 times nominated for Emmys, winning for Battlestar Galactica and The Lot. Jean-Pierre arrived in Hollywood in 1973 with an education from the University of Paris in Historic Apparel, and with a stage career already in place. He was witness to and part of the survival struggle for film glamour.
It s a delicious read about friendships of great depth and long standing with Edith Head, Jean Simmons, Roddy McDowall, June Lockhart and more, that makes you sigh, wishing you d known them. It s a prickly read about the treacherous realities of egos run amok and short-lived relationships with stars and producers that leaves you relieved they weren t yours. But mostly it s a designer s read about persistence, networking and love of the beauty of the art.
From his opening stories of outrageously bawdy party behavior, to intimate moments of confidences shared, Dorléac names names and calls spades on a part of Hollywood you haven t experienced. In a time not like today, he chronicles a designer s entry to the film business more sad than sweet; more tribulation than triumph but he tells you how he did it, as improbable as it may sometimes have been.
Want all the facts? Get Naked. --Jacqueline Saint Anne, President Emeritus Costume Designers Guild
Beyond the beads and sequins, the glitzy parties and awards shows in New York and Hollywood, there lies the very serious profession of costume designing, as explained in The Naked Truth, by multi-award-winning designer Jean-Pierre Dorleac.
Not that there aren t delightfully entertaining examples of the glamorous and fun side those are plentiful. But he reveals, through personal stories, the truth about the 14-hour days, the last-minute changes, working miracles on a small budget, and the hopes of pleasing a multitude of producers, directors and stars. And though he has had a highly successful career, he doesn t shy away from talking about the jobs he almost got, or the movies that failed. The only complaint is that it stops when it feels there is more to tell, which is a tribute to his writing.
The book opens in 1973. His career is already underway and he wins the Los Angeles Drama Critics Circle award for costume design. Over the years, as the book progresses, his career expands into many more plays, television shows and films, most of which the reader will remember vividly.
What s intriguing is the way Dorleac interweaves celebrity stories and encounters with the real art and business of designing, from first idea to the actual production and beyond. It s exciting to take his journey as his personal star begins to shine even more brightly with time.
The book is lengthy, but very fast reading, told in a chatty tone that doesn t hesitate to be funny and touching, but also brutally honest, if not downright bitchy, in a delicious way.
The names read like a Who s Who of Hollywood past and present, including Edith Head, Lana Turner, Louis Jordan, Ann Miller, Jane Seymour, June Lockhart, Henry Fonda, Brooke Shields, Christopher Reeve and Christopher Plummer, to name but a very few who are included. There are tales of the darlings and the divas a couple of them quite surprising. This isn t name-dropping , however these are the people he knew - the people he worked with and was friends with.
The Naked Truth should be mandatory reading for anyone considering a career in fashion or design. It should not only prepare them for the reality of design, but also inspire them to go forward. But film, stage and television lovers will be thrilled by the insider stories, too. It may well change the way we look at any production from now on. --Valerie Porter of Bookpleasures.com
About the Author
JEAN-PIERRE DORLÉAC s writings have appeared in magazines as featured stories, books of fiction, and as screenplays for television and films since the 1960 s. Additionally, his designs in costumes for all levels of the entertainment industry have won Emmys, a Tony, the Drama Critics Circle Award, several Sci-Fi honors and an Academy Award nomination. He has lived on six continents, speaks three languages, and enjoys ethereal islands with white sand beaches, warm tropical weather and a minimum of communications. The Naked Truth: An Irreverent Chronicle of Delirious Escapades, details the never-before-told, behind-the-scenes saga about working in theater, couture, television and film.
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